is Channel 4's new four-part political thriller inspired by former Labour MP Chris Mullin's novel , previously adapted for television in 1988.
The story concerns Deputy Prime Minister Tom Dawkins (Gabriel Byrne); a politician who uncovers evidence of a conspiracy involving an American-owned petrochemical firm, after 19 people are killed in a UK plant's explosion, shortly before the Prime Minister (Tobias Menzies) dies in plane crash after fighting for compensation in Houston, Texas...
HighlightThe opening scene was definitely memorable,shop cds, with Dawkins at the scene of the Teeside plant's devastation; a scene of localised apocalypse, where he discovers a little girl's mitten in the debris, still containing her tiny pale hand.
LowlightNo particular scene was singularly terrible, there was just an inescapable feeling that slick visuals and revered actors were there to hide a prescribed and rather clichéd story.
Secret State had the intention of being a landmark British drama, but this first part ends up falling very short.
It may have glossy visuals, an updated villain in a faceless petrochemical firm (unlike the novel's Cold War backdrop of nuclear disarmament), and big name actors (Charles Dance's post-Game of Thrones comeback continues), but there's the unmistakable whiff of a drama trying too hard.
It certainly moved along snappily, with ad break crescendos big enough to draw you back, but it cumulatively felt oddly insubstantial.
There was just too much here that felt horribly clichéd, such as Gina McKee's know-all journalist with an inside source, dropping Dawkins breadcrumbs every time they meet.
And if it wasn't unintentionally funny (the PM's surname's Flyte and he died during a plane flight - haha!), it was either oddly forced (Dawkins' supposedly rousing, improvised speech in front of No10 to announced the PM's death), or slightly fantastical (wire-taps are created with a few clicks of a computer mouse by MI5 spooks).
In praise of Gabriel ByrneIt's a shame because Gabriel Byrne's a superb actor who deserves to be headlining something more cutting edge on UK TV - not a reheated version of a 30-year-old book, which doesn't really have anything fresh to say,cheap dvds movies, just a different way of saying it.
He was astonishingly good in HBO's In Treatment. His natural charisma certainly pulls Secret State through weak areas as he's such an easy actor to sympathise with, but there's only so much he could do.
As the plot thickened in largely conventional ways (the coroner hanged himself!), it remained true that you wanted to see Dawkins get to the bottom of the conspiracy, or at least become more proactive in exposing the truth of the matter, which will hopefully come in future weeks.
Fair's fair, this was only part one and it was an hour mostly spent introducing the array of characters and explaining the set-up.
The remaining hours may go down some unexpected avenues, or generally keep us on our toes with some fun twists.
I just hope it doesn't become outright preposterous in an attempt to entertain... or maybe that would be actually be desirable, if a disappointment considering the potential for something worthwhile and less open to ridicule.
A few effective sequences and moments aside, Secret State gave us little reason to care about anything (where were the victim's faces?), as it sacrificed clever storytelling and political insight for a grim tone and hackneyed ideas.
The Guardian - "Secret State is Spooks with its head in a bucket of dumb."
The Telegraph - "Involving, if not always wholly convincing drama."
Was it a fluke that Secret State concluded its business on the day Lord Leveson handed in his homework? Maybe they really are that clever at Channel 4. Where Leveson has investigated the invisible nexus connecting the press, the police and Westminster, Secret State has delivered its verdict on a comparable ratking of vested interests linking government, banks, oil, the military, defence contractors, MI6, old uncle Tom Cobbleigh et al. By last night’s closer, every man jack of them was clamouring for a lucrative war with Iran, and they were all somewhat miffed when hyper-idealistic Prime Minister Tom Dawkins (Gabriel Byrne,buy dvd online cheap, looking more and more like Gordon Brown) climactically called their bluff.
Secret State, based on a novel written by Chris Mullin all of 30 years ago, has had shouty things to say How Things Are Really Run in this country. The manner in which it said them possibly detracted from the impact of the message’s salutary cynicism. Wedged into , where six or even 10 would have been (say) , it increasingly came across as the comic book version of political drama.
Thus key exchanges were rarely allowed to take more than a couple of shallow breaths before we were hurried on to the scene of the next crime against the body politic. In order to facilitate economy of storytelling, everyone had free access to anyone else. Thus Paul Clarke (), the sleazy head of petrochemical giant Petrofex, waltzed right into Westminster to deliver a plot-rich piece of information to the PM, who himself took impromptu meetings in all sorts of places: other people's private jets, the morgue, even on a pair of chairs placed in front of Number 10,watch dvds online for free. Campaigning journo Ellis Kane (, pictured above right) seemed to be able to walk in on Dawkins without so much as a knock on the door. “Well, fuck you, Tom Dawkins,” she screamed helpfully at one point when he denied her corroboration of a story. “You’re not the only one trying to find their way in the world.” “I’m the fucking Prime Minister,” he riposted. Rather too often in Secret State, people needed to be reminded of this fact. But then perhaps this was the ultimate message: no matter who the incumbent, the wheels within wheels have precious little respect for the office. “You get to the top,” concluded Dawkins, “and you realise it’s really only the middle.”
Even while paring itself to the bone, Secret State somehow allowed itself to be wasteful. In the end, the much dangled plotline about Dawkins’s dodgy record in Bosnia eventually went for nothing, while his ex-wife (Sophie Ward) did not reappear after the first episode. There was a puzzling moment in which, for no apparent reason, Dawkins’s PPS admitted to have an affair with Ros Yelland, ’s warmongering Foreign Secretary.
Le Touzel, scorning the peacenik diplomatic argot of “violins and camomile tea”, was like all good baddies great value throughout. Nicholas Farrell’s smooth string-pulling top military brass was also excellent company. Everyone played their part to put flesh on the bones on Robert Jones's neurotically jumpy script - from ’s rogue operative (pictured) in GCHQ to ’s deliciously reptilian banker. People said “fucking” a lot, apart from the PM’s glowering bodyguard, but then he didn’t say much at all until in a thrilling scene he had to pull a gun on some heavies from MI6.
For all its breathless convolutions, Secret State delivered its homily about the murky web of interests protecting their stake in UK plc with clarity of purpose. In the end, the rousing climax was pure blue-sky fantasy: that a serving Prime Minister would step up to the dispatch box and, like a turkey putting an X against 25 December in the polling booth, propose a motion of no confidence in his own rotten government is regrettably not the way things are done, as the resumption of the status quo swiftly confirmed. But it was cheering to hear someone in high office give cronyism a bloody nose, even if this was no more than a fictional manifesto from the dreaming leftiverse.
Hey, at least we can safely conclude that Secret State is for the most part alarmist nonsense. Where else but in a sensationalist thriller thick with implausibilities would a PM and leading journalist be on cosy first-name terms and freely horse-trading information by mobile telephone?
As if the bar weren’t high enough already, the series’ publicity presented it as an update of A Very British Coup – one of the most accomplished political thrillers of the Eighties, in which an incendiary Ray McAnally played a Left-wing prime minister battling forces of conservatism within his own government. (Alan Plater’s razor-sharp script ensured you didn’t need to be a card-carrying Communist to be electrified by his predicament,games online store.) But Secret State bore no more resemblance to this antecedent than Ben-Hur did to the Bible. There were clear elements of inspiration, but British and world politics has changed utterly since the Right vs Left stand-off of the Eighties,online video rental.
Date:2013-1-30 【Return】
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